Description
The small-format mixer with one-to-one control.
The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large-format features into a small-format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors-including 4 stereo reverberation systems-and Fat Channel plug-in models on every input channel and mix bus. With 128 (64×64) channels of USB recording, 128 channels of AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing-hands-on.
The scalable digital mixer.
The StudioLive 32S digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required. Network with a StudioLive Series III rack mixer and add a dedicated monitor mixer. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32S digital mixer and in UC Surface remote mixer software.
The best digital mixer for recording – with or without a computer.
PreSonus Capture recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32S digital mixer or on your computer running macOS or Windows. Record any combination of channels, FlexMixes, and the Main stereo mix via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.
Superior sound.
We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 32S mixer scene, the mic preamp trim values can also be recalled along with the other settings.
Vintage studio processors onboard.
The dynamic Fat Channel on the StudioLive 32S digital mixer puts critical EQ and dynamics-processing functions beneath your fingertips while giving you fast access to every parameter. Fat Channel plug-ins can be inserted on every input channel and output bus. You can enjoy extensive, studio-style processing, whether recording in the studio or running shows on the road.
The StudioLive 32S includes six Classic Fat Channel EQ and compressor plug-in models preinstalled. You also get Fat Channel Collection Vol. 1, which includes 15 additional vintage-modeled EQs and compressors-a $149 (USD) value if purchased separately.
Flexible mixing without limits.
PreSonus designed the StudioLive 32S digital mixer to adapt with your changing needs, whether you’re mixing in the studio or on a busy festival stage. The 16 FlexMixes on the StudioLive 32S digital mixer can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. No other digital mixer provides this much flexibility.
Reconfigure your mix without unplugging a cable.
StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you customize your mix configuration by patching any analog input or digital return (AVB, USB, or SD Card) to any channel you like. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 32S as part of a complete networked audio system. And with a fader for each of 32 channels, plus 8 additional faders to manage your bus outputs, you always have total control of your entire mix.
The ultimate USB audio interface and control surface.
With 128 (64×64) channels of recording over USB, the StudioLive 32S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio, as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While the StudioLive 32S is compatible with any DAW, Studio One and the StudioLive 32S are the perfect pair to elevate your studio recording environment. Remote control your StudioLive 32S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 32S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 32S the best mixing console for the modern recording studio.
World-class recording software included.
PreSonus Studio One Artist DAW is included with the StudioLive 32S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.
Remote control your digital mixer from anywhere on any device.
PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS, Windows, iPad and Android. Control your monitor mixes with QMix-UC for iPhone, iPod touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32S digital mixer, remote controlling your mix from anywhere just got easier.
A complete networked solution.
The StudioLive 32S is the flexible cornerstone for a custom AVB network that is easily expanded and quickly configured. Designed to complement each other, StudioLive Series III networked products form an ecosystem that is at the forefront of AVB networking technology. Route audio to EarMix 16M personal monitor mixers. Connect NSB-series stage boxes and StudioLive Series III rack mixers to add remote inputs and outputs. With powerful plug-in processing, a fader for every channel, and integrated networking onboard, the StudioLive 32S delivers an unmatched mixing experience that combines digital power with analog ease of use.
Apple Silicon, iOS, and iPadOS compatibility-standard.
The PreSonus StudioLive 32S is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it’s USB class-compliant, there are no special drivers or applications to download and install. You’ll be able to produce on the go-everything from podcasts to folk rock to trap-wherever sound takes you.
Three year warranty-for all Series III and III S mixers
When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you’re covered.
We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don’t throw it in a swamp or anything like that) we’ll repair it.
Make your own magic.
At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn’t stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means “a little something extra,” and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products andnew for 2021our award-winning controllers as well.
The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).
Computer system requirements:
Below are the minimum computer-system requirements for StudioLive 32S.
macOS
- macOS version 10.13 or later
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates)
- Available USB port
Windows
- Windows 10 or later (64-Bit Only)
- 200 MB storage space and 8 GB RAM for Universal Control (required for firmware updates and low-latency ASIO support)
- Available USB port
Specifications
| Mi crophone Preamplifier | |
|---|---|
| Input Type | XLR Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 1 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
| Gain Control Range (±1 dB) | 0 dB to +60 dB |
| Maximum Input Level (unity gain) | +12 dBu |
| Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
| Line Inputs | |
| Type | ¼” TRS Female, balanced |
| Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
| Input Impedance | 10 kΩ |
| THD to Main Output | <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
| Maximum Input Level | +18 dBu |
| Tape Inputs | |
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +12 dBu, ±0.5 dBu |
| XLR Outputs | |
| Type | XLR Male, balanced |
| Maximum Output Level | +24 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
| Line Outputs | |
| Type | ¼” TRS Female, balanced |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
| Tape Outputs | |
| Type | RCA Female, unbalanced (stereo pair) |
| Maximum Output Level | +18 dBu, ±0.5 dBu |
| Output Impedance | 100Ω |
| Headphone Output | |
| Type | ¼” TRS Female, active stereo |
| Maximum Output | 100 mW/ch. @ 60Ω load |
| Frequency Response | 20 Hz – 20 kHz (± 0.5 dB) |
| THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
| S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
| System Crosstalk | |
| Input to Output | -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Adjacent Channels | -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) |
| Digital Audio and Control | |
| ADC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| DAC Dynamic Range | 115 dB (A-wtd, 48 kHz) |
| USB Recording Port | USB 2.0, Type-B |
| Bluetooth Input | 4.1, stereo |
| AES/EBU Output | XLR Male |
| Network Control Port | RJ-45 |
| AVB Audio Network Port | Locking XLR Ethernet |
| Internal Processing | 32-bit, floating point |
| Sampling Rate | 48 kHz, 44.1 kHz |
| A/D/A Bit Depth | 24 |
| Reference Level for 0 dBFS | +18 dBu |
| Total System Latency | 1.9 ms (local routing, analog in-analog out, all processing active) |
| Clock | |
| Jitter | <20 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
| Power / Environmental | |
| Connector | IEC |
| Input-Voltage Range | 90 to 230 VAC (±10%) |
| Power Requirements (continuous) | 85W |
| Recommended Ambient Operating Temperature | 0° to 40° Celsius / 32° to 104° Fahrenheit |
| Physical | |
| Height | 6.51″ (165.36 mm) |
| Width | 32.37″ (822.21 mm) |
| Depth | 22.97″ (583.48 mm) |
| Weight | 37.2 lbs. (16.9 kg) |
